Archive for the 'Adrian Martin' Category

On the longest day of the year, June 21, 2014, I interviewed film studies writer and thinker extraordinaire Adrian Martin. Our conversation took place in the quietest spot we could find in the historic center of Milan late on a World Cup match night. We were both visiting that city for the conference of the Network of European Cinema and Media Studies (NECS), and had been part of a workshop panel that day on videographic film studies, or "audiovisual approaches to audiovisual subjects." We discussed Adrian's turn to audiovisual essays (many made with Cristina Álvarez López) as well as his work more generally, and talked about his new book Mise en Scène and Film Style: From Classical Hollywood to New Media Art (forthcoming from Palgrave Macmillan, later in 2014). Adrian's latest De Filmkrant column 'Serve Yourself' offers an extract from the book as a preview of it: the column is on-line here: http://www.filmkrant.nl/world_wide_angle/10805. In the interview, Adrian talks in detail about a particular audiovisual essay -- Intimate Catastrophes -- which he co-edited with Cristina Álavarez López for the Transit: Cine y otros desvíos website.

For more about this interview, and for related links, please visit the main FILM STUDIES FOR FREE website: http://filmstudiesforfree.blogspot.com/2014/06/happy-holidays-round-up-adrian-martin.html.

Adrian Martin is Professor of Film Studies at Goethe University (Frankfurt), and Monash University (Melbourne). He is published internationally and has been translated into over twenty languages, with regular columns in De Filmkrant (Holland) and Caiman (Spain). He is the author of six books (Phantasms, Once Upon a Time in America, Raúl Ruiz: Magnificent Obsessions, The Mad Max Movies, Last Day Every Day, What is Modern Cinema?) and is Co-Editor of the online film journals LOLA (http://www.lolajournal.com) and Screening the Past (http://www.screeningthepast.com/), as well as the books Movie Mutations and Raúl Ruiz: Images of Passage.

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Welcome to the podcast channel for the Film Studies For Free website. Founded in August 2008, FSFF is a pluralist, pro bono, and purely positive web-archive of examples of, links to, and comment on, online, Open Access, film and moving image studies resources of note. FSFF is lovingly tended (in a personal capacity) by Catherine Grant, of Film Studies at the University of Sussex.